Brand
Color
- BlackBlack 21
- BlueBlue 4
- GoldGold 2
- GrayGray 6
- SilverSilver 14
- Space GraySpace Gray 4
- WhiteWhite 16
- Beige 1
- bleubleu 2
- jaunejaune 1
- Marron 2
- Noir 1
- roserose 2
- rouge 2
- vertvert 3
Chargeur Universal Pour PC Portable 96w 12-24v
Couette Uni 2 places 220×240 Beige Marron
Couette Uni 2 places 220×240 Blanche
Couette Uni 2 places 220×240 bleu canard et beige
Couette Uni 2 places 220×240 bleu canard et beige – Image 1 Couette Uni 2 places 220×240 bleu canard et beige
Couette Uni 2 places 220×240 Bleu Gris
Couette Uni 2 places 220×240 Jaune Marron
Couette Uni 2 places 220×240 Marron Rouge
Couette Uni 2 places 220×240 Rouge Beige
Couette Uni 2 places 220×240 Rouge Gris
Couvercle Universel en Verre avec Bord en Silicone 3 Tailles GM
Couvercle Universel en Verre avec Bord en Silicone 3 Tailles PM
Cric en bouteille hydraulique 2 tonnes-DINGQI
Cuillère Balance électronique
Écouteurs Sans Fil ORAIMO FreePods 3C OEB-E104DC – Noir
Égouttoir à Vaisselle Extensible en acier inoxydable
Gorenje GV 561 D10
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.











